A newly married couple standing close together in soft outdoor light on their wedding day

Bridal makeup studio

Makeup that still looks like you at the last dance.

Common Loom is a small bridal practice built around skin that looks like skin — unhurried trials, one artist on your morning, and a finish that holds through humidity, hugs and a very long photo list.

Bride & wedding party On-location getting ready Trials by appointment

What we do

Three ways to book, and nothing you don't need.

Every booking is built around your getting-ready window rather than a fixed package clock. Tell us the date and who needs makeup, and we'll send a written plan with timings before anything is held.


Service one

The Bride

A single, quiet appointment on the morning itself. Skin prep first, then a look built in layers so it photographs soft rather than flat.

  • Prep, priming and lash application
  • Long-wear base matched in daylight
  • Touch-up card in your own shades

Allow 90 minutes

Service two

Bride & Party

For mothers, sisters and friends sharing the same room. The order is built backwards from your photographer's first call, so nobody is rushed.

  • Running order sent the week before
  • Individual looks, one shared palette
  • Bride finished last, before the dress

Allow 45 minutes per person

Service three

The Trial

A seated session to test wear, photograph the result and adjust anything that doesn't feel like you. Notes and product names are kept on file.

  • Two directions tried side by side
  • Photographed in window light and flash
  • Written record for the wedding day

Allow 2 hours

Recent looks

Soft edges, warm skin, nothing heavy.

A few finishes from recent seasons. Bring photographs of yourself you like — they tell us more than any inspiration board.


Portrait of a woman in soft daylight with a natural, luminous makeup finish
Luminous, barely thereSheer base, cream blush and a groomed brow for a registry-office morning.
Bride wearing a wedding gown photographed in gentle natural light
Warm neutral eyeBronze wash, individual lashes and a satin skin finish for an evening reception.
Bride holding a loose bouquet of pale flowers, seen in soft shade
Soft matte, long dayBuilt for heat and a full dance floor, with a rose lip that reapplies in seconds.

How it runs

From first enquiry to final touch-ups.

Four steps, all of them written down. You should never have to guess who is arriving, when, or what to have ready.


Enquiry and hold

Send your date and the number of people needing makeup. We reply with availability, a written plan and a simple agreement that holds the date for you.

Trial, unhurried

Usually a few months out. We test two directions, photograph both and keep a record of every product used so the day itself is a repeat, not an experiment.

Timings, two weeks before

You receive a running order shared with your photographer and hair team: arrival time, order of the party, and the exact minute the brushes stop.

The morning

We arrive early, set up out of the way of the dress, and work quietly through the room. You are finished last, with a small touch-up card in your own shades.

Makeup artist working carefully on a seated client in a bright studio

The artist

Ines Abara, working one wedding at a time.

I trained in editorial makeup and moved to weddings because I preferred the pace — one room, one family, a whole morning to get the skin right.

Common Loom takes a single wedding per day. That means no clock-watching between bookings, time to re-do an eye if it isn't quite right, and a kit chosen for real conditions: humidity, tears, long exposure to flash, and hours of close photography.

Approach
Skin first, colour second. Nothing applied that you wouldn't recognise in a mirror.
Kit
Fragrance-free bases, sanitised between clients, with shades carried across deep to fair tones.
Coverage
Studio trials by appointment; wedding-morning travel to nearby coast and country venues.

Good to know

Questions brides ask first.


How far ahead should I enquire?

Most brides get in touch nine to twelve months out, though dates do open up closer in. Send the date whenever you have it — if it's taken, we'll say so straight away rather than leave you waiting.

Do you travel to where we're getting ready?

Yes. Wedding-morning makeup happens wherever you're staying, as long as there's a chair and a window. Travel beyond the immediate area is quoted in your written plan before you commit.

Is a trial necessary?

It isn't required, but it is recommended for brides who haven't worn much makeup before, who want lashes, or who are nervous about photographs. Trials can also be booked on their own.

What should I do with my skin beforehand?

Keep it simple: no new treatments in the fortnight before, moisturise consistently, and come to both the trial and the morning with a clean, product-free face. We'll talk through anything specific at the trial.

Will it last all day?

It's built to. Bases are set in layers for wear rather than weight, and you leave with a small card holding your lip and powder for the evening. Someone in the party can reapply it in under a minute.

Enquiries

Check your date.


Send the essentials and you'll get a written reply with availability, a suggested running order and clear pricing for your group. Nothing is held until you're happy with the plan.

If your date is already taken, we'll tell you in the same reply — no waiting list, no chasing.

  • One wedding a day. Your morning is never shared with another booking.
  • Written timings. Sent to you, your photographer and your hair team.
  • No obligation. An enquiry is a question, not a commitment.

Replies are written by Ines, usually within two working days.